The African Handbook and Traveller’s Guide (by Martens & Karstedt)

A Doll’s House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that “a woman cannot be herself in modern society,” since it is “an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint.” Its ideas can also be seen as having a wider application: Michael Meyer argued that the play’s theme is not women’s rights, but rather “the need of every individual to find out the kind of person he or she really is and to strive to become that person.” In a speech given to the Norwegian Association for Women’s Rights in 1898, Ibsen insisted that he “must disclaim the honor of having consciously worked for the women’s rights movement,” since he wrote “without any conscious thought of making propaganda,” his task having been “the description of humanity.”

African American traditional medicine is an American classic that emerged out of the necessity of its people to survive. It began with the healing knowledge brought with the African captives on the slave ships and later merged with Native American, European and other healing traditions to become a full-fledged body of medicinal practices that has lasted in various forms down to the present day.Working the Roots: Over 400 Years Of Traditional African American Healing is the result of first-hand interviews, conversations, and apprenticeships conducted and experienced by author Michele E. Lee over several years of living and studying in the rural South and in the West Coast regions of the United States. She combines a novelist’s keen ear for storytelling and dialogue and a healer’s understanding of folk medicine arts into a book that makes for both pleasant, interesting reading, and serves as a permanent household healing guide.Divided between sections on interviews of healers and their stories and a comprehensive collection of traditional African American medicines, remedies, and the many common ailments they were called upon to cure, Working The Roots is a valuable addition to African American history and American and African folk healing practices.