The African Handbook and Traveller’s Guide (by Martens & Karstedt)
The African Handbook and Traveller’s Guide,” is a first edition, hardcover, travel and guide book, edited by Otto Martens and Dr. O. Karstedt. It was produced for the German African Lines and published in 1932 by Allen & Unwin Ltd., London. Its 948 pages include numerous fold out color maps and an appendix. Included is a typed letter, dated 1943, concerning two Africa based correspondents and their interest in a book about South Africa.
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0 out of 5(0)NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • From the award-winning, bestselling author of Americanah and We Should All Be Feminists—a haunting story of love and war. • Recipient of the Women’s Prize for Fiction “Winner of Winners” award.
With effortless grace, celebrated author Chimamanda Ngozi Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a thirteen-year-old houseboy who works for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who has abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.
Half of a Yellow Sun is a tremendously evocative novel of the promise, hope, and disappointment of the Biafran war.
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0 out of 5(0)A Doll’s House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that “a woman cannot be herself in modern society,” since it is “an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint.” Its ideas can also be seen as having a wider application: Michael Meyer argued that the play’s theme is not women’s rights, but rather “the need of every individual to find out the kind of person he or she really is and to strive to become that person.” In a speech given to the Norwegian Association for Women’s Rights in 1898, Ibsen insisted that he “must disclaim the honor of having consciously worked for the women’s rights movement,” since he wrote “without any conscious thought of making propaganda,” his task having been “the description of humanity.”
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