The African Handbook and Traveller’s Guide (by Martens & Karstedt)
The African Handbook and Traveller’s Guide,” is a first edition, hardcover, travel and guide book, edited by Otto Martens and Dr. O. Karstedt. It was produced for the German African Lines and published in 1932 by Allen & Unwin Ltd., London. Its 948 pages include numerous fold out color maps and an appendix. Included is a typed letter, dated 1943, concerning two Africa based correspondents and their interest in a book about South Africa.
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Half of a Yellow Sun
0 out of 5(0)NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • From the award-winning, bestselling author of Americanah and We Should All Be Feminists—a haunting story of love and war. • Recipient of the Women’s Prize for Fiction “Winner of Winners” award.
With effortless grace, celebrated author Chimamanda Ngozi Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a thirteen-year-old houseboy who works for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who has abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.
Half of a Yellow Sun is a tremendously evocative novel of the promise, hope, and disappointment of the Biafran war.
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A Doll's House
0 out of 5(0)A Doll’s House (Norwegian: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that “a woman cannot be herself in modern society,” since it is “an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint.” Its ideas can also be seen as having a wider application: Michael Meyer argued that the play’s theme is not women’s rights, but rather “the need of every individual to find out the kind of person he or she really is and to strive to become that person.” In a speech given to the Norwegian Association for Women’s Rights in 1898, Ibsen insisted that he “must disclaim the honor of having consciously worked for the women’s rights movement,” since he wrote “without any conscious thought of making propaganda,” his task having been “the description of humanity.”
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Purple Hibiscus: A Novel
0 out of 5(0)“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker
From the bestselling author of Americanah and We Should All Be Feminists
Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They’re completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating.
As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.
Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
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African Art Now: 50 Pioneers Defining African Art for the Twenty-First Century
African Books, ProductsAfrican Art Now: 50 Pioneers Defining African Art for the Twenty-First Century
0 out of 5(0)This deluxe hardcover survey, featuring profiles of 50 artists on the rise, is the definitive guide to contemporary African art.
With African artists attracting sizable audience numbers to museums, setting sky-high auction records, and appearing in mainstream press, it has become impossible to overlook the cultural significance of contemporary African art today. Author and curator Osei Bonsu’s engaging profiles of leading African artists—along with gorgeous full-color reproductions of their work—introduce readers to a generation of movers and shakers whose innovative artwork reflects on Africa as both an idea and an experience. Using diverse forms, languages, and expressions to articulate what it means to be a part of the world, these artists generate alternate histories and imaginative futures—work that is both personal and political, universal and incredibly specific. Their work helps define contemporary African art as a vast artistic and cultural movement.
STELLAR ROSTER OF ARTISTS: Amoako Boafo, Njideka Akunyili Crosby, Tunji Adeniyi-Jones, Bronwyn Katz—from household names to up-and-coming artists, African Art Now features some of the most exciting artists working today.
IMPORTANT AND TIMELY: Over the past two decades, contemporary African art has become part of the global mainstream, inspiring countless exhibitions, fairs, and auctions around the world. And yet, African art remains overlooked as an area of dedicated study due to continued academic and cultural bias. This book shines a spotlight on the artists whose wide-ranging accomplishments represent the shifting dynamics and boundless possibilities of African art today.Perfect for: Artists, art collectors, art lovers, and museumgoers Artists, art collectors, art lovers, and museumgoers Educators and students Educators and students Anyone interested in learning about contemporary African art Anyone interested in learning about contemporary African art
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